You are a very visual writer and the illustrations by Ewa Beniak-Haremska blend beautifully with the story. How did the collaboration work. Which are your favourite illustrations?
One of the highlights of The Chestnut Roaster’s publication journey was being introduced to artist Ewa Beniak-Haremska. My publisher has an eye for the extraordinary and was certain Ewa’s style would not only complement the story but lift it to another level. Not all authors have the opportunity to work closely with their illustrators, but I had the joy of seeing Ewa’s work unfold.
Ewa read The Chestnut Roaster and her initial feedback was very encouraging – we could see that she had grasped the spirit of the story whole-heartedly. Based on Ewa’s previous work (check out her website here), it soon became clear that full spreads rather than smaller illustrations would showcase her amazing talent and Ewa endeavoured to retell the story in blocks of double full-page spreads to appear in four sections of the book. This way, the reader could recap the story to-date through illustration before moving on. This tickled me pink as one of my all-time favourite childhood books similarly had blocks of illustrated spreads – L Frank Baum’s The Wonderful Wizard of Oz – and as a young reader, I would find myself being pulled forward through the story in great anticipation of the art.
Once the format was agreed, I prepared a summary for Ewa, focussing on the visual aspect of each major scene, and we delivered it to Ewa as a kind of ‘pick n’ mix’. She merged scenes together in her magical way leaving so much for the viewer to unpick and interpret.
I adore the image of Piaf on her corner at Rue du Dragon. It captures Paris of the 1880s so perfectly – the cobbled roads, the flapping birds, the musicians, the diners at the café. We see ladies straining their necks looking down, seemingly knowing that something is about to happen. A black cat ominously walks across the street while the silhouette of a stranger draws his attention to his target – little Piaf, the chestnut roaster.
Piaf on her corner at Rue du Dragon – illustration by Ewa Beniak-Haremska
Another illustration I particularly love is the depiction of Piaf falling through a circular hole, arriving in Paris’s underground twin where miles of squirming tunnels await her adventures. You can see Piaf in the top left and the image sweeps your eye to the right, past eerie tunnels filled with of bones and danger until she arrives at a remarkable place – the Museum of Objects. This is where we meet Bertie, Paris’s finest button maker. In his underground nest, he has carved objects from wood. What objects can you see? Russian dolls? A fox? How many roosters can you find? I could stare at this image for hours!
There are seven more double spreads as stunning these for readers to explore, and together they tell the full tale of The Chestnut Roaster so beautifully. The illustrations and words are all wrapped up in a stunning cover, designed and illustrated by the award-winning artist Holly Ovenden who also created the cover of my first novel, Elsetime.
Finally, I will leave you with one image by Ewa that spoke straight to my heart – that is the image of Piaf, the tiny girl who cannot forget. She might look small and fragile, but inside, I can assure you, she is a giant.
