Showing posts with label Picture Book. Show all posts
Showing posts with label Picture Book. Show all posts

Friday, 24 January 2025

The Best Children's Book Picks JAN 2025 - Mr Ripley's Enchanted Books

 

Penny Boxall - Letty and the Mystery of the Golden Thread - Published by Puffin (30 Jan. 2025) - ISBN-13 ‏ : ‎ 978-0241657447 - Paperback - Age: 8+

Anybody who found themselves in the rigging of the good ship Lotus very early that morning would have seen an unusual sight: a shy, plump girl with a magpie fidgeting on her shoulder, holding in her hand a glinting coin…

We begin in LONDON, 1774.

Twelve-year-old Lettice Breech is excited to visit Europe with her Pa, who is eternally fascinated by ancient objects. Together they’re going to admire breathtaking French art, astounding Roman ruins, and spectacular Greek carvings.

But their plans are dashed when part of a famous statue is exposed as a forgery, and Pa is thrown in gaol for the crime.

Susan Brownrigg (Author), Jenny Czerwonka (Illustrator) - Wrong Tracks - UCLan Publishing (9 Jan. 2025) - ISBN-13 ‏ : ‎ 978-1916747340 - Paperback - Age: 8+

Who is sabotaging the Rainhill Trials?

It is 1829. Everyone is talking about the exciting new rail ways and young Edward Entwistle cannot believe his good fortune: a chance encounter sees him offered a job at the Stephensons’ Steam Locomotive Manufactory.

The Stephensons are preparing for an important competition – The Rainhill Trials. A race of innovation and daring which will award the winner a contract to run the new Liverpool & Manchester Rail Way. Edward must protect the father and son inventors’ latest creation – their precious Premium Engine – but strange and dangerous accidents keep stalling construction.

Edward and his new loco-mad friend Prudence soon realise someone is trying to scupper the Stephensons’ chances. It is up to the friends to spot sabotage and chase down spies in a thrilling race against the clock.

Inspired by the Rainhill Trials.



Jo Todd-Stanton - The Comet - Published by Flying Eye Books (2 Jan. 2025) - ISBN-13 ‏ : ‎ 978-1838741242 - Paperback - Age: 4+ (Picture Book) 


When Nyla has to leave her home in the countryside to start life again in the city, all she can think about is everything she misses from before. So when a comet comes crashing through the city streets and starts to glow and grow, Nyla can’t resist a chance to head somewhere that feels closer to what she had before … but what starts as an escape could be just the thing to make her finally feel at home. From the award-winning Joe Todd-Stanton, comes an exquisite and heartfelt picture book touching on the bewildering experience of moving house. This beautiful story explores how this can affect a child's sense of belonging, but also how it can open them up to new and wonderful experiences.



Alice Nuttall - The Zombie Project - Published by 
Chicken House (2 Jan. 2025) - ISBN-13 ‏ : ‎ 978-1915947345 - Paperback - Age: 9+ 


The action-packed and horrorful zombie adventure from debut author Alice Nuttall, with an original environmental twist . . .

In a world without bees, death-flies are needed to grow food. But death-flies need bodies – lots of them. And bodies mean zombies.
Merian understands this, but others are afraid. Can one girl prove that zombies are the future?

  • The action-packed debut novel of MSLexia Children’s and YA 2023 winner, Alice Nuttall.
  • An original idea that turns the usual zombie story on its head – save the zombies, don’t kill them!
  • With environmental themes packaged alongside age-appropriate horror and scares.

Read Extract HERE

Wednesday, 22 November 2023

The Best Children's Book Picks NOVEMBER 2023 - US Post - Mr Ripley's Enchanted Books

 

Sharon Cameron - ARTIFICE - Published by Scholastic Press (November 7, 2023) - ISBN-13 ‏ : ‎ 978-1338813951 - Hardback - Age: 11+ 

A dramatic story of duplicity and resistance, betrayal and loyalty, set against the backdrop of World War II, by the #1 New York Times bestselling author of The Light in Hidden Places.

Isa de Smit was raised in the vibrant, glittering world of her parents' small art gallery in Amsterdam, a hub of beauty, creativity, and expression, until the Nazi occupation wiped the color from her city's palette. The "degenerate" art of the Gallery de Smit is confiscated, the artists in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country’s heritage, feeding the Third Reich's ravenous appetite for culture and art.

So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake--a Rembrandt copy drawn by her talented father--a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam.

But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army.

Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art, and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten color of beauty, even in an ugly world.


Adria Knudson - Wispwood Chronicles - Published by Red Dirt Road Publishing (November 16, 2023) - ISBN-13 ‏ : ‎ 979-8989458516 - Paperback - Age: 8+ 

An enchanted forest. A long-lost treasure. Mysteries to be solved. Dive into an exciting adventure for children ages 8-12 full of magical creatures and friendship!

In the heart of an ancient forest lies the mystical town of Wispwood, where magic thrives and secrets rustle among the trees. When an injustice shatters their peaceful existence, four unlikely friends unite to restore honor and harmony. Ghosts stand accused, a treasure long lost beckons, and a web of deception unravels.
Together, Lily, Theo, Noah and Ella confront the unknown, forging unbreakable bonds and discovering their true strengths. Will justice prevail, or will fear and revenge forever shadow Wispwood?


Ben Lerwill (Author), Grahame Baker-Smith (Illustrator) - Stone Age Beasts - Published by Candlewick (November 7, 2023) - ISBN-13 ‏ : ‎ 978-1536231342 - Hardback Picture Book - Age: 6+ 

The spectacle of Stone Age life stampedes off the page in an engaging, eye-popping gift book illustrated by a Kate Greenaway Medal winner.

Are you brave enough to come face-to-face with the biggest and most awe-inspiring prehistoric beasts? In this dramatic introduction to the Stone Age world, the stupendous giants that shared the earth with our human ancestors—from the woolly mammoth and the fearsome saber-toothed cat to the elephant bird and the giant wombat—leap, slither, and swoop to life on eighteen atmospheric and densely packed double-page spreads spotlighting animals from around the globe. Each lively profile is anchored to a stunning illustration by Kate Greenaway Medal winner Grahame Baker-Smith and features jaw-dropping facts about the animal’s anatomy and behavior, with an emphasis on how it interacted with early humans. Sidebars highlight scientific name, weight, territorial range, and extinction dates, while a glossary and end notes offer additional color and context to round out a boldly packaged and richly absorbing journey of discovery.


Olivia O'Bryon - Little Bird & the Graveyard - Published Independently published (November 11, 2023) - Paperback - Age: 7+ 

Ten-year-old Indie has a lot of questions. Not only is she on a mission to find a ghost in the graveyard across the street from her house, but she also wants to know why her mom left her and her brother with their dad a few months earlier. After all, if she figures out why her mom is gone, then maybe she can stop feeling so upset. To find answers, Indie will have to be brave. She needs to befriend the family of caretakers who live at the graveyard, which means coming face-to-face with the old man who hates her dog and dealing with a boy who is a couple of years older and clearly doesn't want her around. Her quest will also push her to snoop through the creepy apartment downstairs and visit the graveyard with her brother at night. While none of these adventures will keep Indie out of trouble, they will lead to some life-changing answers, including the realization that a ghost has something to do with her mother's absence.

Monday, 26 June 2023

The Best Children's Book Picks JUNE 2023 - US Post - Mr Ripley's Enchanted Books



Author: Dave Eggers (Picture Book Hardback)

Book Title: Moving the Millers' Minnie Moore Mine Mansion: A True Story

Illustrator: Júlia Sardà 

Author Dave Eggers and artist Júlia Sardà spin a quirky historical event into a whimsical and tall-ish true tale of American ingenuity.

Make way for history as only Dave Eggers could stage it. It all started when John “Minnie” Moore built a mine in Idaho and sold it to Englishman Henry Miller. Then Henry married a local lass named Annie and built her a mansion, hence the “Millers’ Minnie Moore Mine Mansion.” After Henry died and Annie was hoodwinked—losing all but the mansion—she and her son took to raising pigs in the yard, as some are wont to do. But the town wanted those pigs out. Who could have guessed that Annie and her crew would remove the whole mansion instead—rolling it away slowly on logs—while she and her son were still living in it? Narrated with metafictional flair, this delightfully illustrated picture book is proof positive that nonfiction can be as lively and artful as any storybook.

Published by Candlewick (June 6, 2023)


Author: Shakirah Bourne

Book Title: Nightmare Island (Hardback)

From rising star Shakirah Bourne, author of Josephine Against the Sea, comes a mysterious adventure that explores one of the most chilling tales in Caribbean mythology: the faceless douen children.

Twelve-year-old Serenity Noah has never told anyone about her recurring nightmares -- the haunting images of silver butterflies whose flapping wings drive away all sound, leaving only suffocating silence in their wake. Her parents already favor her "perfect" younger brother, Peace, and she doesn't want to be seen as the "problem" child.

Instead, Serenity's found a productive way to channel her fears: creating a horror movie as scary as her nightmares.

When Peace suddenly becomes afraid of the dark and refuses to sleep alone, their parents take him away for "treatment" on Duppy Island. Serenity has a very bad feeling about the mysterious island and the facility's creepy leader, Dr. Whisper. And when she sees a silver butterfly from her nightmares in the forbidden forest she realizes that something is seriously, dangerously awry.

But nothing could've prepared Serenity for the truth: the island is home to douens -- faceless children with backward feet who are trapped in limbo between the world of the living and the land of the dead. And unless Serenity acts soon, her brother is going to join their ranks...

Published by Scholastic Press (June 6, 2023)


Author: Malia Maunakea 

Book Title: Lei and the Fire Goddess (Hardback)

"Lei and the Fire Goddess blends preteen angst and beloved Hawaiian moʻolelo in a way that hasn't been done before." —Auliʻi Cravalho, actress and voice of Disney's Princess Moana

Curses aren't real.

At least, that's what twelve-year-old, part-Hawaiian Anna Leilani Kamaʻehu thinks when she listens to her grandmother's folktales about sacred flowers and family guardians. Anna's friends back home in Colorado don't believe in legends, either. They're more interested in science and sports—real, tangible things that stand in total contrast to Anna’s family’s embarrassing stories.

So when Anna goes back to Hawaiʻi to visit her Tūtū, she has no interest in becoming the heir to her family’s history; she’s set on having a touristy, fun vacation. But when Anna accidentally insults Pele the fire goddess by destroying her lehua blossom, a giant hawk swoops in and kidnaps her best friend, and she quickly learns just how real these moʻolelo are. In order to save her friends and family, Anna must now battle mythical creatures, team up with demigods and talking bats, and evade the traps Pele hurls her way.

For if Anna hopes to undo the curse, she will have to dig deep into her Hawaiian roots and learn to embrace all of who she is.

Published by Penguin Workshop (June 6, 2023)

Thursday, 2 September 2021

Gattaldo - Fearless: The Story of Daphne Caruana Galizia - Interview (Q&A) - Mr Ripley's Enchanted Books #4


I'm delighted to welcome you to an interview with the debut author and illustrator Gattaldo. The book is based on a true-life story that is both brilliantly written and compassionately illustrated as a picture book. The author has brought the story to life so that children and adults will be inspired by it and completely absorb the storyline. It's a story about a female investigative journalist called Daphne Caruana Galizia who discovers the truth against all odds. The book was published by Otter-Barry Books last year (October 2020). 

We hope you enjoy reading this interview as much as we enjoyed asking the questions. You can BUY the book HERE. You will not be disappointed as this is a great book to both read and discuss with others. 

  • Fearless: The Story of Daphne Caruana Galizia. What is the book actually about? Is it based on a true story?
It’s the life story of a European investigative journalist who took on the mafia. She uncovered wrongdoing and she did it on her own, with little or no help, a “one-woman WikiLeaks”. The book takes us from Daphne’s childhood with her parents who taught her the importance of always doing what’s right, through her teens where she understood the meaning of protest, her early years as a journalist where she flourished in a largely male-dominated field, to her fight for justice and against corruption. It’s about the courage of ones convictions, about the quest for truth.   
  • What inspired you to tell this story and why?
Daphne’s assassination in 2017 left a big hole in the hearts of many Maltese who valued her investigative journalism. To me, Daphne was also a personal friend and I found it extremely difficult to deal with her absence. My 7-year-old niece wanted to know more about Daphne, so I decided to turn my grief into something positive and share Daphne’s life and the importance of journalism with children through a picture book.  
  • What emotions do you want the reader to feel once they have finished reading the book?
The book is a celebration of its protagonist, but it’s also an appreciation of journalism, a message to not be afraid of going against the grain, to fight for your convictions. Daphne Caruana Galizia was often alone in her quest. We’ve spoken at times about this and how it made her feel. It took nerve to continue uncovering wrongdoing after some of the attacks on her person and her family.  

I want my readers to appreciate that there is no free choice without information. Journalism is one of the most important if not the most important component of democracy. I want children to be inspired by Daphne. Journalists like her are our heroes. They are role models we should emulate if we are to build a better world.  
  • How do you try and balance the writing with the images?
This was my first picture book. Pictures and words must work together, complimenting rather than mirroring each other. I started writing while at the same time searching for the character’s appearance. It’s important to work with rough sketches while writing. Only once you’re happy with the way visuals and words work together, should you start to work up the illustration. Even then, you can expect the book to go through various modifications. In film, each scene is drawn in rudimentary sketches on loose cards so their order can be changed. It’s a good practice to use with picture books as well.   
  • Do you think it is important for an illustrator to have their own unique style?
I certainly see advantages marketing-wise with having a unique style that’s unchanging, like a brand, so that readers familiar with your first book feel immediately at home with your second offering. There are however benefits to having a flexible hand, a style that fits each of the stories you animate. My publisher requested that I keep to the same style in my next books and it makes sense because they should feel like part of the same series. I don’t think that means they have to be absolutely identical though. I think each book benefits from having its own identity while still fitting in with the series.  
  • How much research did you do before you started the project? Did you find any surprises along the way?
Although I knew my subject on a personal level, I knew very little about Daphne’s childhood. Her early years weren’t something I could research online or in libraries so the only way was to Interview family and friends. This required great sensitivity. Interviewing people who are grieving can be difficult and awkward. It was a journey that led to a closer relationship with Daphne’s family. I can’t think of having come across any surprises as such, but I do feel I got to know her better. I could see what made Daphne the strong person she was.  
  • What author/illustrator do you wish could be your mentor and why?
My mentor for Fearless was the journalist and children’s author Juliet Rix (Travels With My Granny - Otter Barry Books) who was very generous with her time and advice. We’re currently collaborating on another children’s book. As a wish list, there are a couple of illustrators I would love to have as mentors. My first would be M. Sasek, but of course he died in 1980 so perhaps, French illustrator Thomas Baas would be a more feasible choice.  
  • What is the best way to use social media and illustration to create increased awareness?
Every book is different and its promotion has to be tailor-made. Daphne’s story is real and still current and raw so I couldn’t promote it in the same way you’d do for another book. Amnesty and Reporters Without Borders’ endorsement was a great boost for the book. Regardless of whether Fearless was worthy of Daphne’s story, activists and people who hold Daphne and journalism to heart, were eager to promote the book on social media. But I also had to contend with a small amount of trolling, something I guess most children’s authors wouldn’t face. 

I think most children’s authors realise very soon that publishers have very little time or money to do much for their book so they must work hard at it themselves. I found Twitter introduced me to reviewers, bookshop owners and journalists. Like any conversation it can’t be just about promoting the book though. 

I’m not sure Facebook was much use. As to Instagram, I think I missed a trick by not making use of it. 


When promoting the book online, an author must offer something useful rather than to simply repeat the the book’s USPs. My book’s website 
fearlessdaphne.com was also a vehicle to get children and their educators interested in journalism through informative articles aimed at children. I also wrote and designed a supplement which was taken up and published by a local newspaper. I’d love to develop the latter into a regular feature, but as with everything, I’d need to find the time and the finance for it. 
  • What other projects are you working on at the moment?
When I first presented Fearless to publishers, the proposal was to have a series of similar non-fiction books, so I’m working on the next two. I’m also planning on writing something completely different - a children’s book that is funny and playful. That would give me the opportunity to experiment with a different style of illustration. Now that the Covid-19 restrictions are slowly lifting, Im also preparing for school visits and also looking forward to the publication of Fearless by Candlewick in the US in September. 
  • Do you prefer to write or illustrate?
My background is in fine arts and illustration but I’ve discovered writing can be great fun too. I love the control that comes with doing both. I’ve still got a lot to learn in both idioms, and I’m not confident I’ve yet found my definitive style. I’ve started writing for children rather late in life and I feel privileged to have been given the opportunity to get my work published.  


Sunday, 18 April 2021

ALIEN NATION by Sandro Bassi - Mr. Ripley's Enchanted Books - Book Review

I have something very different to review this week. It's a very special book that is not just an illustrative delight but also conveys a powerful story that hits the reader on so many different levels. Sandro Bassi is an illustrator from Venezuela whose work was the 2019 Bologna Children's Book Fair Illustrator Show selection. Alien Nation is his first book and was published by Levine Querido on April 13, 2021. It has already received great acclaim in Mexico where it was originally published. 

It all begins on an unforgettable subway ride in an alien world or is it? The story explores the theme of travelling and technology in all of our lives. As you open the pages, you find yourself on a journey of wonder as you marvel at the black and white illustrations. It's a wordless picture book that shows the commuter moving through a crowded train station. You will glide across the pages mesmerised in a world that is totally different from our very own. However, there may be some similarities as we too can be glued to technology both day and night. For me, the story explores the theme of being engrossed in handheld devices whilst the world continues to go on around us particularly as we travel on public transport. We might as well be an alien of this world when this happens.


The book is illustrated using thick pencil lines to create amazing drawings that convey a fantasy world that requires closer inspection. One of the main features of the book focuses on the commuter. Each is drawn in human form except for the heads and faces. Instead, each face and head is represented in a number of ways through bulbous or blocked organic structures that somehow convey feelings to the reader. The narrative asks me questions about the future of us as a race and how far technology will develop. How much more of our time in the future will we spend on our devices, reading, playing games, or watching programs? However, is this loneliness that we seem to seek whilst commuting creating a hive mind society? 

This is a very special book with a cinematic appeal. It shows a world that we are at risk of losing out on and real adventures beyond the screen of a phone that might be passing us by. It's time to visit the eerie vision of a spectacular train station and a strange baby in a stroller as a packed metro awaits us. This book is a real page-turner that is full of real-time illustrations that will capture the attention of all readers from eight to a hundred and eight. Be warned, we might just be glimpsing a future that is not as alien as we believe from our very own. 


Saturday, 9 May 2020

Children's Books Published May 2020 - Twitter Round Up Post - Mr. Ripley's Enchanted Books


Hello Everybody, I hope you are all safe and well. I thought we would do a post to help support authors, illustrators, publishers, and hardworking bookshops who are currently facing extraordinary times. With everybody turning to social media and online sites to promote their books or businesses, it can be a whirlwind of noise. At times like this, some books may go unseen by people (including me!) which is the inspiration for this post. A recent @Enchantedbooks tweet post as highlighted some of the fantastic books that are weathering the fantasy storm this month (May 2020). 


We've put a collection of the books from this tweet that covers a diverse range of books for children which can be loved by adults, especially the ones I have missed mentioning previously.  We will also try and put in Independent books sellers links with each selection which might help small or independent businesses at a time like this.  We have a graphic novel, picture book, and an assortment of books that we thought you might be interested in reading and buying. I would like to thank you all who responded on twitter it was fantastic to hear from.  I'm also happy to put other book shop links if any of you come forward. I did best to put them all on here and it might be a feature we will do regularly again. Stay safe and well and happy reading. 



Metaphrog - Bluebeard - Published by Papercutz (19 May 2020) - Graphic Novel Hardback - Age: 8+ Buy Here From Page 45
The award-winning duo, Metaphrog, transform the classic folktale into a feminist fairy tale, about the blossoming of a young child to womanhood striving for independence. Eve spends an idyllic childhood of long summer days with her sweetheart Tom, and together they dream of exploring the world. But that dream is soon shattered as she comes of age. The mysterious Bluebeard is looking for a new bride and has his sights set on Eve, and rumor has it that his former wives have all disappeared. What will Eve find in the castle beyond the enchanted forest? A forbidden chamber, a golden key, and the most terrifying secret take on a new life in this gothic graphic novel.




Tim Allman (Author), Nick Shepherd (Illustrator) - Max Takes a Stand - Published by OUP Oxford (7 May 2020) - Paperback - Age: 7+ Buy From Blackwells Here

This fun, anarchic series revolves around a boy called Max and his mission to make the world a better place. In each book in the series, Max tries to save the planet through positive direct action, with hilarious results but real heart too. Unfortunately, not everyone reacts so positively to Max's methods-but nothing can dampen his passion!



Josh Lacey (Author), Beatriz Castro (Illustrator) - Hope Jones Saves the World - Published by Andersen Press (7 May 2020) - Paperback - Age: 8+  Buy Here From Hive (Read Extract Here)
My name is Hope Jones. I am ten years old. I am going to save the world. 
Hope Jones New Year s resolution is to give up plastic, and she s inspiring others to do the same with her website hopejonessavestheworld.com. When she realises her local supermarket seems to stock more unnecessary plastic than food, she makes it her mission to do something about it. She may be just one ten-year-old with a homemade banner, but with enough determination, maybe Hope Jones really can save the world.



Angela Woolfe - Roxy & Jones: The Great Fairytale Cover-Up - Published by Walker Books (7 May 2020) - Paperback - Age: 8+ Buy Here From Waterstones

A hilarious modern fairy-tale mash-up set in a world in which witches are real, magic is real and fairy tales are not only real ... but recent history.
Once Upon a Modern Time, in the city of Rexopolis, in the Kingdom of Illustria, lived twelve-year-old Roxy Humperdinck, half-sister to Hansel and Gretel (yes, THE Hansel and Gretel, not that she knows it). Enter Cinderella ("Call me Jones") Jones, who most definitely does NOT want to marry ghastly Prince Charming and is far too busy hunting for lost relics of the Cursed Kingdom. But now she needs Roxy's help. And Roxy's about to discover the truth about her world and her family: that witches are real, magic is real and fairy tales are not only real ... but recent history.


Sylvia Hehir - Deleted - Published by Garmoran Publishing (28 May 2020)  - Paperback - Age: 12+ - Check Out The Publisher Here
How much worse can Dee's life get? Having already suffered a traumatic break up with her boyfriend, her best friend is now warning her off the handsome new boy in the village. So what if his dad is a traveller? And that's without all the problems she's having with her mobile phone. A young adult romance with a hint of mystery.


Julia Rawlinson (Author), Tiphanie Beeke (Illustrator) - Fletcher and the Summer Show Published by Graffeg Limited (10 May 2020) -  Hardback Picture Book - Buy Here From Publisher

Combining emotive, lyrical storytelling with an engagement with nature, the adventures of Fletcher coincide with the characteristics of the four seasons, inspired directly by author Julia Rawlinson's experiences with her own children and their inquisitiveness about nature.
The character and book series have been widely used in educational settings as a springboard for exploration of language, illustration, storytelling, friendship and the natural world.
As summer begins, the wood comes alive with new sounds, but without a distinctive one of her own to join in with, Rabbit feels left out. With the help of his friends, Fletcher decides to put on a show where everyone's talents can shine. The second of four Fletcher titles themed around the passing seasons.

Monday, 27 April 2020

Corrina Campbell - The Girl who Stole the Stars - Author/Illustration Interview - Mr. Ripley's Enchanted Books



Welcome to Mr. Ripley's Enchanted Books. Today, I'm delighted to introduce Corrina Campbell who is a self-taught illustrator/author with a background in primary education. This interview looks to find out more about her writer/author experiences in the lead up to her new picture book. The Girl who Stole the Stars is due to be published this October (2020) by Little Door Books. 

I hope you enjoy reading our interview. Don't forget you can pre-order the book in advance if it sounds like something you and/or your family would enjoy. Thanks for reading - stay HAPPY and SAFE. 

The Girl Who Stole The Stars is your debut picture book (published later this year), can you tell us a little bit about it?

‘The Girl Who Stole the Stars’ is a story about a little girl who decides she wants a star of her very own but ends up taking all the stars from the sky with disastrous consequences, not just for her but for millions of other children around the world.  But what will it take for her to put them back in the sky?  You’ll need to read the book to find out!

Did you focus on the words or illustrations first for this picture book? 

I started with the words but those first few words that I jotted down are not necessarily the words you’ll see in the book today.  Once the illustrations were introduced a lot of the text changed, mainly because the illustrations tell so much of the story.  There is a huge amount of editing, redrafting and redrawing that happens along the way with both the words and the illustrations taking the lead at various points and influencing the direction of the final look and feel of the story.  


What are the processes involved in writing and illustrating your own picture book? 

When I have an idea for a book I first consider whether I can actually turn it into a story.  This usually involves thinking about the setting and characters but more importantly the plot and storyline.  I then consider whether it would fit a standard picture book size;  usually 32 pages and often under 1000 words.  If my idea is still ‘alive’ after this stage then it’s time to get the pencils out!  I usually sketch out small thumbnail images of how each page will look – these are really rough but it gives me an idea of how I think the book could look.  Then I start working on more detailed illustrations – the best part of the whole process and usually the point where I feel I’ve got something with book potential!

Where and what do you generally get your ideas and inspirations from?
I am a primary teacher and a mum so most of my ideas come from either my children or an aspect of life I am looking to teach in a child-friendly manner.  ‘The Girl who Stole the Stars’ was an idea that came from my eldest daughter when she wrote to Santa asking for a ladder to the stars so that she could have one.  I loved the idea of being able to climb up into the sky and take a star so the story grew from there.  I am also currently working on a story that looks at the impact of plastic on the Planet and wildlife which is a focus in many schools at the moment.


Can you tell us a little bit about your first illustration and what you were particularly proud of?

I started illustrating my written work two years ago after deciding to explore the self-publishing route.  I had written lots of stories and I desperately wanted to see one as a book.  I investigated using a freelance illustrator but it was far too costly for me so decided to give it a go myself.  I’ve always been very creative but had never focussed fully on illustration.  I spent hours exploring different art media, styles, techniques but the real turning point, and the part of the journey I am most proud of, was when I discovered how to make my artwork digital.  I spent two weeks sitting in front of my laptop, trying and failing.  I remember feeling it was impossible, that I’d maybe reached the limit of my capabilities – which was really upsetting.  However, eventually, things started to fall in to place and I was finally able to edit and produce images to a high standard that could be used in picture books, as well as on cards and as prints which I now sell on Etsy, via my website www.corrinacampbell.com and at local craft fairs and events.  I was then able to pursue and successfully sign a traditional publishing contract for ‘The Girl who Stole the Stars’.  This was a massive step in the right direction with regards to me carving a career path in illustration and indeed children’s picture books.
  
Is there anything that helps you to channel your creativity?

This is a terrible answer but lots of biscuits(!)…and a lot of determination.  I work in the evenings once my kids are in bed so when I sit down the exhaustion kicks in.  However, a couple of biscuits later I am usually re-energised and feeling creative again!  On a serious note, it takes a huge amount of discipline to focus in an evening and be productive after what can often be a long and busy day.  When I knew I wanted to write and illustrate a children’s picture book but I had to make some significant changes to find the time to make this happen.  As my evenings were my only free time I had to use them productively.  You’ll now find me most evenings at the kitchen table drawing, writing, editing, creating and learning.  It’s having that discipline that’s really helped me channel my creativity in a more focussed direction to reach my goal of creating children’s books.  

Do you think an illustrator should have a particular style or be known for trying/using different styles?

Great question.  Interestingly I think your style is always there, even when you try to be a bit different!  When I was in the early stages of learning how to illustrate a book I explored all the different techniques/styles that other well-known picture book illustrators were using and tried to replicate them.  Strangely what I created never looked anything like what they had done.  It was always my interpretation of what they had done, although by doing this I found my ‘comfort zone’ which I guess is my unique style.  I am always learning and experimenting so I have no doubt that my style will develop and change, but I’d like to think it will still be recognisable.

Which medium do you prefer to use when illustrating?

I love using crayons.  They create an amazing grainy texture and always make me feel like I am five again – which is a good mindset to have when you are creating illustrations for children’s picture books.

Could you tell us a bit about any of your upcoming projects?

I am terrible for having lots of projects on the go at the same time.  My main focus at the moment is really just preparing for the launch ‘The Girl who Stole the Stars’ and looking at how to best market this and make the most from the opportunity.  I am in the process of creating teaching resources, building content online, and organising author/illustrator events and school visits all around the book launch.  I am also in the early stages of writing the sequel to ‘The Girl who Stole the Stars’ as well as revisiting a story I wrote last year about a Puffin that I keep coming back to…some stories just don’t leave me alone!

Who are your favourite illustrators and why?

There are so many!  Going back to my childhood and my Scottish roots my favourite illustrator/author would be Mairi Hedderwick who is the creator of the Katie Morag series.  Her work always had so much detail and I would spend hours with my Dad looking for all the hidden gems she planted within her illustrations.  

I also love work by Oliver Jeffers, Lisa Stubbs, and Polly Dunbar which is where I draw a lot of inspiration from.

Which books/authors do you choose to read for pleasure?

With three kids under five reading for pleasure is, unfortunately, a rare occasion!  

‘The Girl who Stole the Stars’ is out October 2020 and is available for pre-order from Waterstones;


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